AN APPALACHIAN SUMMER FESTIVAL
Music - Dance - Theatre - Visual Arts - Film
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Under the direction of Maestro Gerard Schwarz, the Eastern Festival Orchestra returns to the festival for an evening of symphonic music featuring soloists Awadagin Pratt, piano and Morgan Short, first-prize winner of the 2018 Rosen-Schaffel Competition for Young and Emerging Artists.
Gerard Schwarz, conductor and music director
Awadagin Pratt, piano
Morgan Short, harp
Overture to The Creatures of Prometheus, Op.43 - Ludwig van Beethoven
Piano Concerto No. 5 in E-flat Major, Op.73 “Emperor” - Ludwig van Beethoven
Adagio un poco mosso
Rondo. Allegro ma non troppo - Awadagin Pratt, piano
Suite from Ma mère L'Oye (Mother Goose) - Maurice Ravel
Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty)
Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas)
Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast)
Le jardin féerique: Lent et grave (The Fairy Garden)
Danse sacrée and profane - Claude Debussy
Danse profane - Morgan Short, harp (2018 first-prize winner of the Rosen-Schaffel Competition)
La valse - Maurice Ravel
Awadagin Pratt began studying piano at six and violin at nine. He entered the University of Illinois at 16, studying piano, violin and conducting. Later, at the Peabody Conservatory of Johns Hopkins University, he became the first student in the school's history to receive diplomas in three performance areas: piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Pratt received the Distinguished Alumni Award from Johns Hopkins.
Pratt has played numerous recitals throughout the U.S., including performances at Lincoln Center, the Kennedy Center, Dorothy Chandler Pavilion in Los Angeles and Orchestra Hall in Chicago. His orchestral performances have included appearances with the New York Philharmonic, Orchestra of St. Luke's, Minnesota Orchestra and the Pittsburgh, St. Louis, National, Detroit and New Jersey symphonies. Major summer festival engagements include EMF, Ravinia, Blossom, Wolf Trap, Caramoor, Aspen, the Hollywood Bowl and the Mostly Mozart Festival in Tokyo. Internationally, Pratt has toured Japan several times and performed in Germany, Italy, Switzerland, Poland, Israel and South Africa.
As a conductor, Pratt has participated in American Symphony Orchestra League and Conductor's Guild workshops, as well as in the National Conducting Institute, where he worked closely with Leonard Slatkin and conducted the National Symphony at the Kennedy Center. He has also conducted the Toledo, New Mexico, Winston-Salem, Santa Fe and Prince George County symphonies, the Concertante di Chicago and orchestras in Japan.
A favorite on college and university performing arts series and a strong advocate of music education, Pratt participates in many residency and outreach activities wherever he appears, including masterclasses, children's recitals, play/talk demonstrations and question/answer sessions for students of all ages.
Named one of the 50 Leaders of Tomorrow in Ebony magazine's 50th anniversary issue, Pratt has been the subject of numerous articles in the national press, including Newsweek and People magazine. He has been featured on several NPR programs, has performed on the Today Show, Good Morning America and Sesame Street, and has been profiled on CBS’s Sunday Morning. He performed twice at The White House at the invitation of President and Mrs. Clinton.
Pratt records exclusively on the Angel/EMI label and discography includes his debut album, A Long Way From Normal, as well as Live from South Africa, an all-Beethoven Sonata CD, Transformations, and an all-Bach disc with the St. Lawrence String Quartet.
Pratt is professor of piano at the College-Conservatory of Music at the University of Cincinnati. He was also the artistic director of the World Piano Competition in Cincinnati and is currently the artistic director of the Art of the Piano Festival at CCM.
2019 marks Gerard Schwarz’s 15th year with Eastern Music Festival. He joined EMF as music advisor in 2005, became principal conductor in 2006, and music director in 2008.
Schwarz is music director of The All-Star Orchestra, an ensemble of top musicians from America’s leading orchestras which includes eight members of the EMF faculty. The All-Star Orchestra is featured in 16 television shows that have aired throughout the U.S. on PBS and streamed worldwide reaching millions of viewers with over 2,000 broadcasts per year. It is the basis for their Khan Academy education platform serving over six million students. As in baseball, Schwarz created an “all-star” team of top musicians to encourage a greater understanding and enjoyment of classical music. All shows have been released on DVD by Naxos and have been awarded six Emmy Awards and the Deems Taylor Television Broadcast Award from the American Society of Composers, Authors and Publishers. This season he has added three programs of important concert band music with The President’s Own United States Marine Band. These programs have been nominated for two Emmy awards.
Schwarz is also music director of the Mozart Orchestra of New York, conductor emeritus of the Mostly Mozart Festival and conductor laureate of the Seattle Symphony. He is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers, and performs internationally as guest conductor with the world's most renowned orchestras.
2017 marked his 70th birthday year and was celebrated by the release of his much-anticipated book Gerard Schwarz: Behind the Baton. An American Icon talks Music and the internationally critically acclaimed 30 CD boxed set by Naxos, The Gerard Schwarz Collection, containing previously unreleased and limited release works spanning his entire recording career.
With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As EMF Music Director, he initiated the Bonnie McElveen-Hunter 10-year Commissioning Project that has thus far commissioned John Corigliano, Richard Danielpour, Lowell Liebermann, André Previn, and HyeKyung Lee.
A prolific recording artist, Schwarz’s total discography numbers over 350. His pioneering cycles of American symphonists such as William Schuman, David Diamond, and Howard Hanson have received high critical praise, as have his acclaimed series of Stravinsky ballets, symphony cycles of Robert Schumann, Gustav Mahler, and Dmitri Shostakovich, as well as orchestral works of Wagner, Strauss, and Rimsky-Korsakov. With the Eastern Festival Orchestra, he has recorded a critically praised recording of the music of Alan Hovhaness for Naxos.
More than 50 discs featuring Gerard Schwarz and the Seattle Symphony – with works by 54 composers ranging from the Baroque to contemporary periods – were released in the last four years on Naxos, Delos, Artek and Brilliance Audio. Representing the breadth and depth of the conductor’s vast repertoire, the recordings vary in genre, including major 20th-century ballets by Stravinsky, Strauss, Bartók, Ravel and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner, and Stravinsky. Schwarz’s dedication to the promotion of American music is also represented with recordings featuring the works of 26 American composers.
The Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks; earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (Music Web International). In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Berlin Radio Symphony, Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and, of course, EMF. His most recent release is of Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra.
A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn and Piano was called a work of “sophistication and intelligence” by The Seattle Post Intelligencer. Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust), both recorded by Naxos; Human Spirit, a composition for choir and orchestra, and his duos for violin and cello were called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times. Most recently, his son, Julian Schwarz, premiered his Rhapsody for Cello and Orchestra, and Demondrae Thurman premiered his In Memoriam for Euphonium and Band. This summer, his Adagio, based on a work by Anton Webern, will receive its world premiere at the Eastern Music Festival.
His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel as well as many orchestral works are programmed in concerts worldwide. A Journey, a large-scale orchestral tone poem, was commissioned by Dave Gannet and received its world premiere at EMF in July 2012. Above and Beyond, Schwarz’s work for concert band was premiered by the U.S. Marine Band in 2013 and is now available on Naxos. His newest work for that ensemble, a new version of Rudolf and Jeannette, was premiered in February 2016. His orchestral work A Poem was recently given its first performance by the Hartford Symphony. Last season presented premieres at Barge Music in New York and with The Symphonia, Boca Raton in Florida.
A sought-after guest conductor, Schwarz has led the most renowned orchestras throughout the world. He is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera and Washington National Opera conducting the operas of Wagner, Verdi, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven and Gluck.
Born in America to Viennese parents, Schwarz began studying piano at the age of five and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include music director of New York’s Mostly Mozart Festival (1982-2001), where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Tokyo, considerably expanded its Mozart repertoire lead numerous televised Live from Lincoln Center appearances. His tenure as music director of the Royal Liverpool Philharmonic Orchestra initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie Records, created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague, and brought the orchestra to National Television in BBC Proms broadcasts. As music director of the Los Angeles Chamber Orchestra and New York Chamber Symphony, he expanded concert series and audiences, made award-winning recordings and championed new works. In addition, he served as artistic advisor to the Tokyo Philharmonic.
Gerard Schwarz completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership in Seattle include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovative themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’s final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres, 18 of these premieres being a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.
In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received six Emmy Awards, 14 Grammy nominations, 8 ASCAP Awards, and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named conductor of the year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002 the American Society of Composers, Authors and Publishers honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences gave Schwarz its first IMPACT lifetime achievement award.
Active in music advocacy on a state and national level, he served on the National Council of the Arts and is honorary chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. The City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.
Harpist Morgan Short is an exclusive Classics Alive Artist after winning the 2018 Classics Alive Management Audition in Los Angeles. Exuding confidence, Short has performed a dozen concerti with orchestras since 2015. Most recently, she received the Grand Prize and Audience Prize at the Rosen-Schaffel Competition for Young and Emerging Artists, Grand Prize recipient of Alexandria Symphony’s Mary Graham Lasley Award and was selected as a Semi-Finalist in the Friends of the Minnesota Orchestra Young Artist Competition. Upcoming 2019 solo engagements include performances with the North Carolina Symphony, Alexandria Symphony under the baton of James Ross, Boulder Chamber Orchestra, as well as Eastern Music Festival and An Appalachian Summer Festival, both under the baton of Gerard Schwarz. Short has performed in over thirty master classes with notable harpists, including Elizabeth Hainen, Judy Loman, and Marissa Robles. In 2015, she was praised by Elizabeth Hainen for her "stellar performance" of Mozart's Flute and Harp Concerto alongside members of the Philadelphia Orchestra in a Play With the Pros Concert in New York. Short is a Tom Keenan Merit Scholar, a recipient of the Ann Jett Rogers Award from the Roanoke Symphony, and the Ambassador Middendorf Award from the US Navy. She has performed in notable venues such as Carnegie Hall, Stern Auditorium at age 15 for the NY International Music Festival, the Mora Ferenc Museum (Hungary), and Galeri Caernarfon (Wales) for International Harp Competitions. Additionally, Short was a finalist in the 2018 American Harp Society’s Anne Adams Awards and a presenter in the 2019 AHS National Convention. She is completing her sophomore year at the UNC School of the Arts.
This performance has been supported by the Rosen-Schaffel Endowment for Classical Music Programming at An Appalachian Summer Festival, and is dedicated to the memory of Muriel and Arnold Rosen, whose vision and generosity led to the founding of An Appalachian Summer Festival.