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Marty Stuart and His Fabulous Superlatives
July 3, 2022 | 7:30 pm
A Schaefer Popular Series Event
Series Sponsorship provided by Bonnie and Jamie Schaefer.
Performance Sponsorship provided by Boone Area Visitors Bureau, Mast General Store, Goodnight Brothers,
SkyBest Communications, Inc., Berkshire Hathaway HomeServices Vincent Properties, and Appalachian Home Care LLC.
Celebrate Independence Day with us! An Appalachian Summer Festival kicks off its season with an outdoor concert by a country music icon and the Town of Boone’s annual fireworks display!
With legends like George Jones, Johnny Cash and Merle Haggard all passed on, country music purists often echo the question Jones himself asked: “Who’s going to fill their shoes?” The answer, in part, is Marty Stuart. The Country Music Hall of Famer and Grammy-winning singer, songwriter and musician is living, breathing country-music history. He’s played alongside the masters, from Cash to Lester Flatt as he continues to record and release keenly relevant music, with records that honor country’s rich legacy while advancing it into the future.
Schedule of Events (in collaboration with the Town of Boone):
- 3pm-7pm — Fill your afternoon with family-friendly activities along The Boone Greenway at Clawson-Burnley Park. Music, games, inflatables, food and more. Click here for more information.
- 7:30pm — Ticketed concert by Marty Stuart and His Fabulous Superlatives at State Farm Road Concert Lot; gates open to the public at 6pm. Featuring food trucks, beverage tent, an App Summer 2022 merchandise tent, a live remote broadcast from High Country Radio, and more.
- Food trucks include The Cardinal, Village Inn Pizza, and Ben & Jerry’s
- The Town of Boone’s fireworks display will immediately follow the concert.
LOCATION: State Farm Road Concert Lot
*Bring your own lawn chairs
ADDRESS: 235 Dale Street, (off of State Farm Road, adjacent to Clawson-Burnley Park at The Greenway), Boone, NC 28607
FOR MORE INFORMATION: Contact the Box Office at
800-841-2787 or 828-262-4046.
- Limited spots available
- $10! Purchase in-person at the Schaefer Center through Sat., July 3 at 5pm. (Any remaining passes will be sold on-site on Sun., July 4)
- To help with traffic flow, please have your pass displayed on dashboard at intersection of State Farm Road and Dale St.
- ADA parking available in this lot
- Leon Levine Hall of Health Sciences, 1179 State Farm Road
- Watauga Community Recreation Center, 231 Complex Dr.
- Watauga County Arts Council, 377 Shadowline Dr.
VIEW PARKING MAP HERE
*Concert will take place rain or shine
*Bring your own lawn chairs
*Only clear bags allowed inside gates
*No outside food and drink permitted
*No pop-up tents, umbrellas, pets or fireworks
View complete list of Venue Policies HERE
ACCOMMODATION STATEMENT: Appalachian is committed to providing an inclusive experience for individuals with disabilities. If accommodations are needed in order to fully participate on the basis of a disability, contact the Office of Disability Resources (828.262.3056). It is recommended that accommodation requests be made two weeks prior to the event.
$25 General Public
Free – Children 12 and younger
$10 On-site parking pass (limited availability; passes can be purchased during ticket transaction or separately at the link below.)
“THE MARTY STUART VIP PACKAGE”: $200
(Limit 40 people)
- One premium seat, with admission to a private pre-show event at venue featuring a two-song performance by Marty and His Fabulous Superlatives, along with a Q&A storytelling session with Marty and band.
- One VIP laminate and lanyard
- Crowd-free merchandise shopping
- One 8×10 personalized Photo
Sunday, July 3, 2022 | 7:30pm
*Gates open to general public at 6pm
*Fireworks will immediately follow concert
ABOUT MARTY STUART
With legends like George Jones, Johnny Cash and Merle Haggard all passed on, country music purists often echo the question Jones himself asked: “Who’s going to fill their shoes?” The answer, in part, is Marty Stuart.
While he’s too gracious to admit it himself, the Grammy-winning singer, songwriter and musician is living, breathing country-music history. He’s played alongside the masters, from Cash to Lester Flatt, who discovered him; been a worldwide ambassador for Nashville, Bakersfield and points in between; and safeguarded country’s most valuable traditions and physical artifacts. Including its literal shoes: Stuart counts the brogan of Carter Family patriarch A.P. Carter and an assortment of Cash’s black boots among his vast collection of memorabilia.
But most importantly, Stuart continues to record and release keenly relevant music, records that honor country’s rich legacy while advancing it into the future. Way Out West, his 18th studio album, hits both of those marks. Produced by Mike Campbell (of Tom Petty and the Heartbreakers), the album is a cinematic tour-de-force, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist.
Opening with a Native American prayer, a nod to Stuart’s affinity for the indigenous people, particularly the Lakota, Way Out West transports the listener to the lonely but magical American West. It is, in its own way, musical peyote.
“If you go and sit by yourself in the middle of the Mojave Desert at sundown and you’re still the same person the next morning when the sun comes up, I’d be greatly surprised,” says Stuart. “It is that spirit world of the West that enchants me.”
Specifically the promised land of California. Growing up in Philadelphia, Mississippi, Stuart was taken by the mystique of the Golden State: the culture, the movies and especially the music. “Everything that came out of California captivated my kid mind in Mississippi,” he says. “It seemed like a fantasy land. Way Out West is a love letter to that.”
As such, the album could only be recorded there, and Stuart, with his longtime backing band the Fabulous Superlatives, decamped for California. They recorded half of the album at Capitol Records and the rest at Campbell’s M.C. Studio, a gritty space with a vibe all its own. Much of the early Heartbreakers music was recorded at Campbell’s and that primal rock & roll energy is palpable throughout Way Out West, reinforced by Capitol’s own rock history: the Hollywood studio birthed iconic records like the Beach Boys’ Pet Sounds and the country-rock of Glen Campbell’s Wichita Lineman. Way Out West, with its atmospheric production, evokes those classics, as well as cowboy records like Marty Robbins’ Gunfighter Ballads and Trail Songs and Cash’s The Fabulous Johnny Cash, one of the first albums Stuart ever owned.
“This is a California record, and I knew that when I emerged from the studio at night, I wanted to see palm trees and breathe that desert air,” says Stuart.
Listeners too can feel the warmth of those Santa Ana winds over the album’s 15 tracks, a collection of newly written originals, instrumentals and rare covers like the Benny Goodman-penned “Air Mail Special,” and “Lost on the Desert,” once recorded by Johnny Cash.
“I asked Johnny about that song when I was in his band, and he said the only thing he remembered about it was changing some words,” laughs Stuart. “But Way Out West just as easily could have been titled Lost on the Desert.”
The idea of losing oneself runs through Way Out West, with the title track both a spiritual adventure and a cautionary tale – Stuart wraps up the travel ballad with a spoken aside about his own bad trips with pills.
“I researched that for 30 years,” he jokes, self-deprecatingly. “There’s a lot of truth in that song.”
The rollicking standout “Time Don’t Wait” also offers a warning: to not let life race by. “As the dirt fell through my fingers / the wind it seemed to say / don’t put off until tomorrow, what you can today,” sings Stuart. “That’s just country wisdom. I can’t claim that. But I like when you can talk about the simple things that are around us. That makes country music come to life for me,” he says.
When it comes to transforming country songs into tangible experience, Stuart has a secret weapon: the Fabulous Superlatives. Made up of guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs, the Superlatives are an extension of Stuart himself.
“The Superlatives are missionaries, they’re fighting partners. They’re my Buckaroos, my Tennessee Three, my Strangers. They’re my legacy band and have been since Day One,” says Stuart.
Along with the playing of Mike Campbell, who contributed guitar, B-3 organ and piano, the Fabulous Superlatives are all over Way Out West and ensure that the mystical detours Stuart explores always remain of the moment.
As Stuart himself will tell you, he often ventures off the reservation – in a way, his entire career has been “way out west.” While other artists chased popular trends in the name of radio play, he formed complete bodies of work, not unlike the greats he idolized. Way Out West is just the latest embodiment of that creative mission.
“I would play this record for Hank Williams, Merle Haggard or Ernest Hemingway and never bat an eye,” says Stuart. “There’s something in there that would entertain each of them.”
But Stuart also made Way Out West for those who come after. As he sees it, there is no greater responsibility in music than to share what you’ve learned.
“Lester Flatt saw something in me and gave me his wisdom, wit and music. Johnny Cash was my best friend. But all of that doesn’t come for free. The job is to pass it along,” says Stuart, stretching out his arms. “That’s the way it’s supposed to be in country music.”
With Way Out West, Stuart holds up his end of the deal.
Official Website – www.martystuart.net
Facebook – www.facebook.com/martystuarthq
Twitter – www.twitter.com/martystuarthq
YouTube – www.youtube.com/martystuartofficial