The 2022 Competition will be held during the 2022 season of An Appalachian Summer Festival on July 24 at 2pm in Rosen Concert Hall at the Broyhill Music Center (813 Rivers Street, Boone, NC), on the campus of Appalachian State University.

Finalists will be selected by a panel of jurors during the preliminary round in the spring of 2022.

Competition Prizes


FIRST PLACE WINNER will receive a cash prize of $2,500, as well as an invitation to perform during the Festival season following the competition. A First Place Winner is not eligible to return for future competitions.

SECOND PLACE WINNER will receive a cash prize of $2,000. Should the First Place Winner be unable to perform during the following Festival season, the Second Place Winner will be invited to fulfill this engagement.

THIRD PLACE WINNER will receive a cash prize of $1,500.

AUDIENCE CHOICE AWARD WINNER will receive a cash prize of $1,000.

 

ALL OTHER FINALISTS will receive a cash prize of $500.

Please note: All prizewinners must complete appropriate IRS (Internal Revenue Service) forms to receive disbursement of prize monies. Payments of $1,500 or more may be subject to North Carolina or Federal withholding.

Prize Award eligibility is conditional upon authorization for employment in the United States, or otherwise eligible to receive payment under state and federal laws.

Jury Process


 

A panel of distinguished musicians, conductors, and collegiate educators will serve as jurors for the preliminary round. Based on recordings submitted, jurors will select the overall top six (6) applicants via a blind adjudication process to compete at a public event held as part of An Appalachian Summer Festival’s 2022 season. In the event that one of the finalists selected cannot compete in the final round, two (2) alternates will be named.

In the final live round of the competition, a panel of prominent symphony conductors will select a First Place, Second Place and Third Place Winner. The decision of the judges is final. In addition, the competition audience will select an “Audience Choice Award Winner.”

Past live competition judges have included such acclaimed conductors as Gerard Schwarz with the Eastern Festival Orchestra, Palm Beach Symphony, and All-Star Orchestra; José-Louis Novo with the Annapolis Symphony Orchestra; Roger Kalia with Symphony New Hampshire and Orchestra Santa Monica; Robert Moody with the Memphis Symphony Orchestra, and Jacomo Bairos with the Nu Deco Ensemble.

 

2022 Competition Judges


 

Alexandra Dee, Robert Moody, and Gerard Schwartz 

ALEXANDRA DEE

(bio to come)

 

ROBERT MOODY, conductor

2021/2022 marks Maestro Robert Moody’s sixth season as Music Director of the Memphis Symphony Orchestra. Expanded and adventurous programming, expanded collaboration with multiple arts organizations in the mid-South, commission of several new works for the orchestra, the MSO’s first commercial recording in over three decades, and a new $25 million endowment are but some of the many achievements made under his direction.

Moody is also Music Director of the lauded Arizona Musicfest, boasting one of the finest festival orchestras in North America. Players hail from the top orchestras in the world, including the Vienna and New York Philharmonics, Philadelphia and Cleveland orchestras, Atlanta, Boston, Chicago, Dallas, Houston, Memphis, Seattle, and San Francisco symphonies, Los Angeles Philharmonic, and the San Francisco and Metropolitan Opera orchestras.

In 2018, Moody completed 11 years as Music Director of the Portland Symphony Orchestra (Maine) and 13 years as Music Director of the Winston-Salem Symphony (NC). Prior to that he served as Resident Conductor for the Phoenix Symphony, Chorus Master for Santa Fe Opera, and Associate Conductor for the Evansville (IN) Philharmonic Orchestra.

Moody recently guest conducted the three major orchestras of South Africa in Durban, Johannesburg, and Cape Town; he was immediately invited to return for more concerts with all three in the summer of 2020. Other guest conducting this season includes the orchestras of Bogota, Colombia; Aachen and Erfurt, Germany; The Sacramento Philharmonic and Pacific Symphony in California; and a return to the Sewanee Music Festival in the mountains of Tennessee.

Prior guest conducting has included Chicago Symphony; Los Angeles Philharmonic; Vienna Chamber Orchestra; and the orchestras of Toronto, Houston, Indianapolis, Detroit, Seattle, Ft. Worth, San Antonio, Buffalo, Columbus, Louisville and Minnesota; and the Slovenian Philharmonic. Festival conducting includes Santa Fe Opera, Spoleto Festival USA, Brevard Music Center, Sewanee Festival, Eastern Music Festival, Skaneateles Festival, Bowdoin International Festival, and the Oregon Bach Festival.

Equally at home in the opera pit, Moody began his career as apprentice conductor for the Landestheater Opera in Linz, Austria. He conducted for the opera companies of Santa Fe, Brevard Music Center, and Hilton Head Opera. He also assisted on a production of Verdi Otello at the Metropolitan Opera (NY), conducted by Valery Gergiev, and at The English National Opera, where he was Assistant Conductor for Kurt Weill’s Street Scene. He made his Washington National Opera and North Carolina Opera debuts in 2014, and conducted Bartok Bluebeard’s Castle, Leoncavallo’s I Pagliacci, and Poulenc’s Dialogues of the Carmelites in the seasons following. Debuts to rave reviews with Brevard Music Center for Weill’s Street Scene, Opera Carolina for Mozart’s Le Nozze di Figaro, and Des Moines Metro Opera for Strauss’ Die Fledermaus came in 2017 and 2018. He makes his debut with Opera Memphis in performances of Mozart’s Cosi fan tutte in 2022.

Moody is a champion of the works of his close friend Mason Bates, now Composer-in-Residence with the Kennedy Center for the Performing Arts, and prior in the same role with the Chicago Symphony. Moody commissioned/conducted Bates’ first full orchestra composition, and has been instrumental in the commission and premiere performances of several of Bates’ important major works for orchestra, including “Ode,” “Rusty Air in Carolina,” and “Desert Transport.”

A trusted collaborator, Maestro Moody has conducted many of the world’s top classical artists in concert, including Joshua Bell, Sarah Chang, Van Cliburn, Renée Fleming, Yo Yo Ma, Midori, Itzhak Perlman, Gil Shaham, Yuja Wang, Andre Watts, and Chris Thile.

Moody’s work can be heard on several commercially released recordings. He collaborated with the Canadian Brass for their Bach and Legends albums. He is also the conductor for Native American artist R. Carlos Nakai’s Fourth World album. In 2015, he was honored to conduct the Cancer Blows gala concert with Ryan Anthony, members of the Dallas Symphony, and a host of trumpet luminaries, to aid the fight against multiple myloma. CD and DVD recordings of that live concert are also commercially available. Fall of 2019 will see the release of Memphis Symphony Orchestra’s first commercial recording in several decades. The works are Jim Stephenson’s “Concerto for Hope,” featuring Ryan Anthony, and “Song of Hope” by Peter Meechan, featuring Ryan Anthony and Scott Moore.

A South Carolina native, Moody holds degrees from Furman University and the Eastman School of Music, where he studied with Donald Neuen. He is a member of the Rotary Club of Memphis and serves/has served on the boards of AIDS Care Services, Winston-Salem YMCA, WDAV radio, and the Charlotte Master Chorale. Maestro Moody is an avid runner, swimmer, and snow skier.

GERARD SCHWARTZ, music director/conductor

Internationally recognized for his moving performances, innovative programming and extensive catalogue of recordings, American conductor Gerard Schwarz serves as Music Director of the All-Star Orchestra, Eastern Music Festival (now in his 18th year), Palm Beach Symphony, and Mozart Orchestra of New York, and is Conductor Laureate of the Seattle Symphony and Conductor Emeritus of the Mostly Mozart Festival. He holds the position of Distinguished Professor of Music; Conducting and Orchestral Studies of the Frost School of Music at the University of Miami; and Music Director of the Frost Symphony Orchestra. Schwarz is a renowned interpreter of 19th century German, Austrian, and Russian repertoire, in addition to his noted work with contemporary American composers.

Eastern Music Festival in North Carolina is among the country’s most important summer educational institutions, bringing together world-renowned artists and exceptionally gifted young musicians from across the United States and beyond.

A prolific recording artist, Schwarz’s total discography numbers over 350 on labels such as Naxos, Delos, EMI, Koch, Artek, New World, Nonesuch, Reference Recording, RLPO Live, Columbia/Sony, and RCA. In November 2017, The Gerard Schwarz Collection, a 30-CD box set of previously unreleased and limited release works spanning his entire recording career was released by Naxos. His vast repertoire includes major 20th-century ballets by composers Stravinsky, Strauss, Bartók, Ravel, and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner, and Stravinsky. Schwarz’s dedication to the promotion of American music is also represented with his pioneering cycles of 26 American symphonists such as William Schuman, David Diamond, Walter Piston, Paul Creston, Peter Mennin, Alan Hovhaness, and Howard Hanson. The Howard Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks, earned Grammy Award nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (MusicWeb International). He released Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra in 2016. In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic, and Eastern Music Festival.

Schwarz is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera – where he has led 21 productions – and Washington National Opera, conducting the operas of Wagner, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven, Hagen, and Gluck.